Close-ups
Framed and on the wall
Frame and rooms are illustrations of how the print could look; the description says what is included.
Peepshow Man at Hyde Park Corner, Cries of London, 1804
€365
$410 · £310
Original print, not a reproduction.
Ships worldwide from the Netherlands, flat, insured and tracked. 14-day returns.
- Date
- 1804
- Technique
- Copper Engraving
- Coloring
- Hand colored
- Condition
- Good. Light wear to the bottom right corner. Age toning, darker at the edges; handling soiling along the edges and scattered foxing in the margins. Faint show-through of text from the reverse. Printed image clean.
- Wardrobe
- Folk finery
- Era
- 1790 to 1840, Empire and Romantic
- Stock no.
- BG-12935-50
What the condition grades mean
- Excellent
- Bright and clean, with no faults worth mentioning.
- Very good
- Only light signs of age, such as faint toning.
- Good
- Normal signs of age for a sheet of this period: toning, some foxing, small marks or neat old repairs.
- Fair
- Clear faults such as staining, tears or repairs, priced to match.
Every fault we see is written in the condition note, and the whole sheet is shown uncropped in the photos.
This is an original hand colored copper engraving, one of the Cries of London plates, lettered "A SHOWMAN." beneath the image. It shows a showman at Hyde Park Corner standing beside his peepshow. He wears a black cocked hat and a red coat with yellow facings and has a wooden leg. The tall blue show box, pierced with viewing holes, stands on a red folding trestle, and a small animal sits in a glass drum on top of it. Buildings with striped window blinds and balconies fill the background.
The London setting is engraved in script above the image as "Hyde Park Corner" and the cry in open capitals below it as "A SHOWMAN.". No artist or engraver is named on this plate. Along the foot runs the imprint "Published July. 7. 1804. by Richard Phillips. 71. St. Pauls Church Yard.", dating the plate to July 7, 1804.
The plate comes from Modern London; Being the History and Present State of the British Metropolis, printed for Richard Phillips of St. Paul's Church Yard by C. Mercier and Co. in 1804. Alongside its topographical views of the capital the book included a series of hand colored plates of London street traders, each figure shown in working dress against a named street, square or building, so that the set records both the trades and the appearance of the city at the time. Several plates in the series carry the credit of the painter William Marshall Craig; this one is unsigned.
The hand coloring and the named London setting make it a good choice for a hallway, kitchen or study, alone or hung with other plates from the series.
Condition: Light wear to the bottom right corner. Age toning, darker at the edges; handling soiling along the edges and scattered foxing in the margins. Faint show-through of text from the reverse. Printed image clean.
This is an original antique print, not a modern reproduction. This item is sold unframed. Any framed or interior images are shown for presentation and inspiration only, unless the listing explicitly states that the item is sold framed.
