Native of Princess Marianne Strait, Antique Wahlen Costume Print, 1843-1844

An original antique wood engraving of a native of the Princess Marianne Strait in Oceania, an ethnographic costume print from Auguste Wahlen's Moeurs, usages et costumes de tous les peuples du monde, published in Brussels between 1843 and 1844. The plate is lettered "Naturel du Detroit Princesse Marianne (Oceanie.)". The Detroit Princesse Marianne is the Princess Marianne Strait, which separates Frederik Hendrik Island, now Yos Sudarso Island, from the south coast of New Guinea in what was then Dutch New Guinea and is now the Indonesian province of Papua; the plate letters it in the older form, after a Dutch naval vessel of the 1820s. That coast was among the last parts of New Guinea to be charted, and European knowledge of its inhabitants in the 1840s rested on a small number of Dutch survey reports, so a Brussels compiler had very little to work from.

Moeurs, usages et costumes de tous les peuples du monde was published in Brussels by Auguste Wahlen at the Librairie Historique-Artistique between 1843 and 1844. The four volumes set out to describe the dress, customs, occupations and social divisions of the peoples of Europe, Asia, Africa, the Americas and Oceania, drawing on travel narratives, earlier costume books and other sources then treated as authoritative, and they carried approximately one hundred and ninety to two hundred plates, the count varying between copies and editions.

Wahlen was the publisher and compiler rather than the artist; where a name such as Duverger, Pannemaker, Mercier, Lisbet, Markaert or Vermorcken appears on a sheet it belongs to the illustrator or the engraver, and no artist is attributed here without one.

The plates are wood engravings on paper. The images should be read as a nineteenth century European interpretation of the cultures they show rather than as a documentary record, which is a large part of what makes the series interesting to historians of the period. The sheet is uncoloured, as issued, and the wood engraving prints with the crisp line and even tone that suits a simple mount and a plain frame. Plates from this series group well, and a set of four or six drawn from the Oceania section hangs better together than a single sheet on its own.

The sheet is in good condition for its age, with light toning and minor wear to the edges and corners; the image itself is clean and strong.

This is an original antique print, not a modern reproduction. This item is sold unframed. Any framed or interior images are shown for presentation and inspiration only, unless the listing explicitly states that the item is sold framed.